1 00:00:10,100 --> 00:00:07,309 mr. Hitchcock can do you like birds I'm 2 00:00:14,360 --> 00:00:10,110 quite indifferent to them they serve 3 00:00:16,460 --> 00:00:14,370 their purpose on occasion which purpose 4 00:00:18,890 --> 00:00:16,470 would that have been for you well it was 5 00:00:23,029 --> 00:00:18,900 the matter of making a little movie 6 00:00:25,009 --> 00:00:23,039 about a modest little affair premises 7 00:00:28,310 --> 00:00:25,019 are you really modest about this picture 8 00:00:32,120 --> 00:00:28,320 or do you like it particularly well it's 9 00:00:35,090 --> 00:00:32,130 different you know one always tries to 10 00:00:38,380 --> 00:00:35,100 meet a challenge I think just doing an 11 00:00:41,450 --> 00:00:38,390 ordinary picture of what I call 12 00:00:44,900 --> 00:00:41,460 photographs of people talking you are 13 00:00:47,630 --> 00:00:44,910 down so the challenge was to take the 14 00:00:50,150 --> 00:00:47,640 subject and see if it could be made to 15 00:00:52,369 --> 00:00:50,160 work I think there was a rather 16 00:00:54,560 --> 00:00:52,379 particular challenge about this picture 17 00:00:57,430 --> 00:00:54,570 which was working with birds really was 18 00:01:00,979 --> 00:00:57,440 it fair that was the technical challenge 19 00:01:04,160 --> 00:01:00,989 of course it's a very involved technical 20 00:01:06,710 --> 00:01:04,170 process and the mere fact that I am able 21 00:01:09,950 --> 00:01:06,720 to shoot a picture to photograph a 22 00:01:11,990 --> 00:01:09,960 picture with the cutting in mind and we 23 00:01:14,870 --> 00:01:12,000 were able to train the birds for each 24 00:01:17,749 --> 00:01:14,880 individual cut in other words we 25 00:01:20,890 --> 00:01:17,759 couldn't take the necessary whole long 26 00:01:24,440 --> 00:01:20,900 scenes and expect the birds to behave 27 00:01:27,800 --> 00:01:24,450 for about four or five minutes but the 28 00:01:29,710 --> 00:01:27,810 manner of the montage permitted the bird 29 00:01:34,429 --> 00:01:29,720 to be trained for a very short period 30 00:01:36,859 --> 00:01:34,439 such as flying after a child and landing 31 00:01:39,469 --> 00:01:36,869 on its shoulder that I would be able to 32 00:01:42,380 --> 00:01:39,479 go to a close-up of it biting and so for 33 00:01:46,940 --> 00:01:42,390 the Virts I mean looked rather terrible 34 00:01:50,719 --> 00:01:46,950 were they actually um the seagulls 35 00:01:53,719 --> 00:01:50,729 Meopta : the seagulls are vicious they 36 00:01:54,760 --> 00:01:53,729 are scavenger Birds and the trainer's 37 00:01:57,880 --> 00:01:54,770 win handily 38 00:02:00,849 --> 00:01:57,890 them had to wear very heavy gloves 39 00:02:03,850 --> 00:02:00,859 because instinctively they bite because 40 00:02:07,600 --> 00:02:03,860 I was catching fish and so forth the 41 00:02:12,190 --> 00:02:07,610 crows the core call you call Coble the 42 00:02:14,199 --> 00:02:12,200 Cobo they were to be trained they varied 43 00:02:16,720 --> 00:02:14,209 some were vicious some were very 44 00:02:18,759 --> 00:02:16,730 friendly now that was the technical 45 00:02:20,949 --> 00:02:18,769 sentence but there are other challenges 46 00:02:25,270 --> 00:02:20,959 which ones well the challenge out the 47 00:02:30,580 --> 00:02:25,280 whole analogy of the film that it the 48 00:02:34,210 --> 00:02:30,590 theme is that man must be responsible to 49 00:02:37,930 --> 00:02:34,220 nature he cannot assume that nature is 50 00:02:42,160 --> 00:02:37,940 always beneficial the beautiful scenery 51 00:02:45,009 --> 00:02:42,170 the sea the sky the trees everything he 52 00:02:48,309 --> 00:02:45,019 enjoys in the opening of the film we 53 00:02:52,030 --> 00:02:48,319 show how he treats birds animals he 54 00:02:55,869 --> 00:02:52,040 thinks that they should be nice cage 55 00:02:59,559 --> 00:02:55,879 isn't very happy and so forth now the 56 00:03:02,830 --> 00:02:59,569 film shows that man doesn't takes nature 57 00:03:06,059 --> 00:03:02,840 for granted but if it turns on him then 58 00:03:09,699 --> 00:03:06,069 he's in trouble for example he digs 59 00:03:13,210 --> 00:03:09,709 uranium from the ground and aleca the 60 00:03:15,610 --> 00:03:13,220 trouble he's in for that what is is that 61 00:03:17,979 --> 00:03:15,620 the whole theme of the picture or are 62 00:03:21,460 --> 00:03:17,989 there other themes leather there's a 63 00:03:25,720 --> 00:03:21,470 general theme that in in this respect of 64 00:03:26,470 --> 00:03:25,730 man's shall we say taking nature for 65 00:03:29,229 --> 00:03:26,480 granted 66 00:03:33,430 --> 00:03:29,239 makes him complacent he thinks he's the 67 00:03:36,520 --> 00:03:33,440 master of everything but a man in a 68 00:03:39,309 --> 00:03:36,530 thunderstorm if he is afraid at all or 69 00:03:43,589 --> 00:03:39,319 you see a woman in a thunderstorm she 70 00:03:47,050 --> 00:03:43,599 immediately goes under the table in fear 71 00:03:48,970 --> 00:03:47,060 nature is there in its most fiercest I 72 00:03:51,640 --> 00:03:48,980 don't think they've ever been able to 73 00:03:54,699 --> 00:03:51,650 make an atom bomb with anything like 74 00:03:57,909 --> 00:03:54,709 power of a thunderstorm missus and the 75 00:04:00,190 --> 00:03:57,919 birds is your first picture and it's 76 00:04:02,140 --> 00:04:00,200 picture was Alfred Hitchcock yes now I'd 77 00:04:02,839 --> 00:04:02,150 like you very much to tell us your very 78 00:04:05,179 --> 00:04:02,849 first car 79 00:04:06,770 --> 00:04:05,189 Thanks which hits go how low do well you 80 00:04:09,289 --> 00:04:06,780 know mr. Hitchcock put me through a 81 00:04:11,949 --> 00:04:09,299 suspense thriller for about three days I 82 00:04:14,360 --> 00:04:11,959 received a phone call saying that a 83 00:04:17,960 --> 00:04:14,370 producer had seen me on a television 84 00:04:20,089 --> 00:04:17,970 commercial and the gentleman asked if I 85 00:04:23,180 --> 00:04:20,099 would bring over pictures and any film 86 00:04:24,860 --> 00:04:23,190 that I had so I did and while we were 87 00:04:27,469 --> 00:04:24,870 talking I said well won't you tell me 88 00:04:30,740 --> 00:04:27,479 who this producer is and he just got a 89 00:04:33,439 --> 00:04:30,750 grin on his face and wouldn't say no and 90 00:04:36,230 --> 00:04:33,449 this was on Friday the 13th so this is 91 00:04:38,089 --> 00:04:36,240 all of sudden my lucky day and then 92 00:04:40,430 --> 00:04:38,099 Monday morning I had to meet somebody 93 00:04:43,520 --> 00:04:40,440 else and Monday afternoon I met someone 94 00:04:46,520 --> 00:04:43,530 else and nobody they still wouldn't tell 95 00:04:48,680 --> 00:04:46,530 me who the producer was so on Tuesday 96 00:04:52,010 --> 00:04:48,690 morning I met mr. Hitchcock's agent and 97 00:04:54,320 --> 00:04:52,020 he told me that mr. Hitchcock wanted to 98 00:04:55,969 --> 00:04:54,330 sign me to a contract what was the 99 00:04:58,670 --> 00:04:55,979 feeling you got at that moment well you 100 00:05:01,219 --> 00:04:58,680 know I I was so stunned I didn't know 101 00:05:03,080 --> 00:05:01,229 whether to laugh or cry or you know run 102 00:05:05,749 --> 00:05:03,090 up and down the halls and is the first 103 00:05:09,080 --> 00:05:05,759 conflict good is he putting you at ease 104 00:05:13,760 --> 00:05:09,090 oh very much so yes we had a we had 105 00:05:17,510 --> 00:05:13,770 lunch in his office and we discussed all 106 00:05:19,310 --> 00:05:17,520 of a variety of subjects then you came 107 00:05:21,560 --> 00:05:19,320 into contact with that subject didn't it 108 00:05:23,300 --> 00:05:21,570 seemed very horrible to you just me no 109 00:05:25,460 --> 00:05:23,310 well at this point I didn't know that it 110 00:05:28,610 --> 00:05:25,470 was good that about the birds you see 111 00:05:30,860 --> 00:05:28,620 this was simply a address to find out 112 00:05:33,080 --> 00:05:30,870 what potential I might have mm-hmm 113 00:05:34,580 --> 00:05:33,090 to see if I could act you know up until 114 00:05:37,100 --> 00:05:34,590 then I had only done television 115 00:05:40,129 --> 00:05:37,110 commercials what are the birds to you 116 00:05:42,170 --> 00:05:40,139 exactly what are the birds I mean the 117 00:05:43,879 --> 00:05:42,180 meaning of the picture no no no no the 118 00:05:46,219 --> 00:05:43,889 picture itself what does it mean to you 119 00:05:49,700 --> 00:05:46,229 it was it the terrifying experience was 120 00:05:53,149 --> 00:05:49,710 it uh for up for about two weeks I was 121 00:05:55,640 --> 00:05:53,159 terrified other than that I went through 122 00:05:58,550 --> 00:05:55,650 the picture without being frightened or 123 00:06:00,680 --> 00:05:58,560 or scared you know anything where I'm in 124 00:06:03,170 --> 00:06:00,690 the attic and the birds attacked me well 125 00:06:06,140 --> 00:06:03,180 it took seven days to shoot this picture 126 00:06:07,700 --> 00:06:06,150 this scene mm-hmm and it's 127 00:06:14,000 --> 00:06:07,710 on the screen approximately two minutes 128 00:06:16,220 --> 00:06:14,010 hmm and the they build a cage for me so 129 00:06:18,590 --> 00:06:16,230 they put me in the cage this time and in 130 00:06:22,750 --> 00:06:18,600 the cage with me was a cameraman and 131 00:06:26,120 --> 00:06:22,760 five prop men with cartons of crows and 132 00:06:29,120 --> 00:06:26,130 ravens and seagulls which they 133 00:06:30,890 --> 00:06:29,130 alternately flew at me for this these 134 00:06:33,740 --> 00:06:30,900 seven days live birds 135 00:06:35,930 --> 00:06:33,750 yes live birds uh-huh and I was 136 00:06:37,520 --> 00:06:35,940 scratched many times in bitten I had a 137 00:06:41,960 --> 00:06:37,530 good one right on a cheek right there 138 00:06:43,390 --> 00:06:41,970 and under my eye very close to my eye so 139 00:06:46,520 --> 00:06:43,400 at the end of this scene I just 140 00:06:48,640 --> 00:06:46,530 collapsed and was set to bed under 141 00:06:52,100 --> 00:06:48,650 doctor's orders for five days 142 00:06:55,340 --> 00:06:52,110 do you like birds still after me yes I 143 00:06:58,610 --> 00:06:55,350 do I have no real fear of the mind they 144 00:07:00,710 --> 00:06:58,620 never deliberately attacked me 145 00:07:03,230 --> 00:07:00,720 the seagulls are dangerous they're very 146 00:07:06,440 --> 00:07:03,240 extremely dangerous you've been living 147 00:07:08,210 --> 00:07:06,450 with the birds and birds for such a long 148 00:07:11,240 --> 00:07:08,220 time now how do you react to the picture